○ Title of Main Project : Seoul Citizen Curator 2019

○ Venue : SeMA Storage *684, Tongil-ro, Eunpyeong-gu, Seoul, Korea (Building 5 Seoul Innovation Park

○ Date : 6~17 November, 2019 (closed on Monday)

○ Organizer : Seoul Museum of Arts

○ Hosts : PAIK Philgyun, Seoul Museum of Arts

○ Collaborated Artist : KANG Minji, KOO Soohyun, KIM Giseok, PARK Jina, BAK Hyongryol, BAE Jinil, YOON Jongwon, LEE Chunghyung

○ Curator: PAIK Philgyun

○ Opening hours : 11:00 ~ 19:00

○ Free Admission

is the exhibition on a project that seeks avant-garde changes in the paradigm of ‘exhibitions.’ In this project, either exhibition formats practically codified in contemporary art scene is used as objet or the stereotypes mostly encountered in the gallery are reproduced as art works. By making attempts to rearrange the context of works including artists’ intentions, it is featured as a sort of self-referential exhibition, which presents the aspect of a complex every exhibition making up in its own.

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Artists collaborating on this exhibition have paid attention to the format such as borderlines, labels, captions, guide leaflets, posters, partitions, gallery attendants, installation engineers, cleaners, and air conditioners. Some of them function as methods given to visitors in an educational purpose, and others as tools that give ‘art qualifications’ to works in the practically authorized exhibition system. It is not intended in this project to argue for or against the requirements within so-called a ‘white cube.’ Rather, it is a variety of characteristics with which varied cultural context mingles that should be centered on.

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In this exhibition, , not only are different kinds of works woven together in a series of display but also the way exhibition components interact with each other is illuminated. Further, there would be a participation area for visitors to arrange existing works in their own way.

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This exhibition is comprised of a diversity of sensitive visual art medium, covering paintings, sculptures, photographs, videos, installations, performances, and designs etc. It would be the most satisfactory that one comes to be aware the components while he or she inquires the exhibition structure of themselves, and that this gives an opportunity to imagine the paradigm shift when it comes to the way of experiencing or displaying art works onward.(Writed by PAIK Philgyun)